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Bester europГ¤ischer Film, Beste Regie und Bestes Drehbuch. Im Januar gewann Das weiГџe Band auch den. WERNER. Ausgezeichnet. Der im Film namenlose junge Dorflehrer, der die Geschichte des Films aus der Rückschau erzählt, kommt aus. Produktion: X-Filme Creative Pool Direktor: Michael Haneke Auszeichnungen: Goldene Palme (Film Festival du Cannes ). "Das weiße Band" Trailer German Deutsch & Kritik Review | Abonnieren ➢ hortlaxdata.se | (OT: Das weiße Band) auf DVD. Michael Haneke entlarvt die Gewaltspirale einer gefühlskalten, ideologischen Erziehung. Für seinen Film () erhielt er die Goldene Palme und den Golden​.

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Strange events happen in a small village in the north of Germany during the years before World War I, which seem to be ritual punishment.

Who is responsible? Director: Michael Haneke. Writers: Michael Haneke , Michael Haneke story. Available on Amazon. Added to Watchlist.

From metacritic. June's Most Anticipated Streaming Titles. The most inspiring movies. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Nominated for 2 Oscars. Edit Cast Cast overview, first billed only: Christian Friedel The School Teacher Ernst Jacobi Eva Ulrich Tukur The Baron Ursina Lardi The Baroness Fion Mutert Sigi Michael Kranz The Pastor's Wife Maria Dragus Martin Levin Henning Adolf Johanna Busse Gustav Josef Bierbichler Learn more More Like This.

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Code Unknown Benny's Video Crime Drama. The Seventh Continent Happy End A well-to-do French family deals with a series of setbacks and crises.

Time of the Wolf Drama Horror. Two psychopathic young men take a family hostage in their cabin. Ida Edit Did You Know? Trivia In the dance scene, where the camera moves in degrees, tiles were added frame by frame to replace the original Eternit roofs.

Goofs In the scene when the farmer sits next to his wife's corpse, the actress's breathing is noticeable.

Quotes The Doctor : My God, why don't you just die? Crazy Credits The opening and closing credits are shown in complete silence. There is no music or other sounds during both entire credit sequences.

Was this review helpful to you? Yes No Report this. Q: Is the movie based on a book? Q: What does the title mean? Language: Latin German Italian Polish.

Runtime: min. Color: Black and White. Edit page. The schoolteacher's friendship with Eva leads to a visit to her family home during a Christmas break; asking for her hand in marriage, he receives from her taciturn father a reluctant permission to marry, but only after a one-year test-period delay.

Unexplained harmful events occur. A wire is stretched between two trees causing the doctor a terrible fall from his horse.

The farmer's wife dies at the sawmill when rotten floorboards give way; her son was the cabbage-field vandal, and her grieving husband later hangs himself.

A barn at the manor burns down. The baroness tells her husband that she is in love with another man. Shortly after the pastor has singled-out and mortified his daughter in class, she opens his parakeet's cage with scissors in hand; the pastor finds the bird on his desk, cruelly impaled in the shape of a cross.

The daughter of the steward at the baron's estate claims a violent dream-premonition about harm coming to the midwife's handicapped son, then the boy is attacked and almost blinded, found during a night search along with a well-written note quoting Exodus The steward thrashes his son for violently stealing a flute from Sigi.

The midwife urgently commandeers a bicycle from the schoolteacher to go to the police in town, claiming that her son has said he knows who attacked him.

She and her son are not seen again. Meanwhile, the doctor and his family have also suddenly disappeared, leaving a note on the door indicating his practice is closed.

The schoolteacher's growing suspicions lead to a confrontation in the pastor's rectory , where he suggests that the pastor's children and students had prior knowledge of the local troubles and insinuates that they likely perpetrated them.

Offended, the pastor berates him and threatens to report him to the authorities if he repeats his accusations. The film ends a few days after World War I officially begins , with the final scene occurring in Sunday church on the day of a visit from the narrator's prospective father-in-law.

Disquiet remains in the village, with no explanation of the violent events. The narrator is eventually drafted , leaving Eichwald, never to return.

Michael Haneke has said the project was in development for more than ten years. More than 7, children were interviewed during the six-month-long casting period.

For most of the adult roles, Haneke selected actors with whom he had worked before and therefore knew they were suitable for the roles.

Actors with significant stage experience were preferred because of the measured language of the screenplay.

Filming took place between 9 June and 4 September Christian Berger , Haneke's usual director of photography, shot the film in Super 35 using a Moviecam Compact.

Before filming started, Berger studied the black-and-white films Ingmar Bergman made with Sven Nykvist as cinematographer. Haneke wanted the environments to be very dark, so many indoor scenes used only practical light sources such as oil lamps and candles.

In some of the darkest scenes, where the crew had been forced to add artificial lighting, extra shadows could be removed in the digital post-production which allowed for extensive retouching.

In the dance scene, where the camera moves in degrees, tiles were added frame by frame to replace the original Eternit roofs. The film received its premiere on 21 May as an official selection at the 62nd Cannes Film Festival and had its theatrical release in Austria on 25 September With a fully German cast and setting, as well as co-production by a German company, it has been discussed whether the film should be regarded as an Austrian or German production.

Haneke himself has expressed indifference on the question: "In the Olympic Games the medal doesn't go to the country, but to the athlete.

German critics were positive. Julia Evers of Oberösterreichische Nachrichten called the film "an oppressive and impressive moral painting , in which neither the audience nor the people in the village find an escape valve from the web of authority, hierarchy and violence.

And that is why it is so difficult to bear. Challenging accusations of Haneke's cinematic approach being cold and cynical, Keuschnigg instead hailed the director as uncompromising and sincerely humanistic.

Zander also applauded the "perfectly cast children", whom he held as "the real stars of this film".

Polluted souls stand out against poised compositions and tidy details". However, critics such as Claudia Puig of USA Today praised the film's cinematography and performances while criticizing its "glacial pace" and "lack [of] the satisfaction of a resolution or catharsis.

Scott accused it of "mystifying the historical phenomenon it purports to investigate. Which is also to say: no one. At the Cannes Film Festival in , the film received the jury's highest prize, the Palme d'Or , and the international film critics' prize, plus a special mention from the Ecumenical Jury.

Its submission as an entry of Germany rather than Austria was the source of some controversy, [36] since the Academy would have accepted it as a submission from either country.

Martin Schweighofer, head of the Austrian Film Commission , expressed misgivings about the decision: "The discomfort arises because of the vague rules of the Academy.

In essential functions the film is Austrian. From Wikipedia, the free encyclopedia. For the item, see White ribbon.

Theatrical release poster. Wega Film X Filme. British Board of Film Classification. Retrieved 4 September British Film Institute.

Retrieved 11 November The New York Times. Retrieved 23 November Retrieved 24 May Emaneul Levy Cinema.

Moreover, none of the British fighter-bombers of late to early had the range to bomb La Rochelle from bases in the U.

Even though impressed by the technological accuracy of the film's set-design and port construction buildings, novelist Lothar-Günther Buchheim expressed great disappointment with Petersen's adaptation in a film review [19] published in , describing Petersen's film as converting his clearly anti-war novel into a blend of a "cheap, shallow American action flick" and a "contemporary German propaganda newsreel from World War II".

Buchheim, after several attempts for an American adaptation had failed, had provided his own script as soon as Petersen was chosen as new director.

It would have been a six-hour epic; Petersen turned him down because the producers were aiming for a minute feature for international release.

However, today's Director's Cut of Das Boot amounts to minutes. Director Wolfgang Petersen has overseen the creation of several different versions of his film.

The first to be released was the minute theatrical cut. The film was partly financed by German television broadcasters WDR and the SDR , and much more footage had been shot than was shown in the theatrical version.

A version of six minute episodes was transmitted on BBC2 in the United Kingdom in October and, again during the Christmas season.

In February a version of three minute episodes was broadcast in Germany. Petersen then supervised the editing of six hours of film, from which was distilled a minute version, Das Boot: The Director's Cut.

Released to cinemas worldwide in , this cut combines the action sequences seen in the feature-length version with character development scenes contained in the mini-series.

In addition, the audio quality was improved and modified over previous releases. In it was released on DVD as a single-disc edition including an audio commentary by Petersen, lead actor Jürgen Prochnow and director's cut producer Ortwin Freyermuth; a 6-minute making-of featurette; and in most territories, the theatrical trailer.

In it was also released as a " Superbit " edition with no extra features, but a superior quality higher bit-rate and the film spread across two discs.

It omits the episode opening flashback scenes of the television broadcast so is slightly shorter, running minutes.

From onwards, the minute "Director's Cut", along with various new extras, was released internationally on Blu-ray. In the original miniseries, also known as "The Original Uncut Version", was released on Blu-ray in Germany with optional English audio and subtitles.

It contains more than 30 hours of material: the Director's Cut min. These soundtracks are included on various DVD and Blu-ray releases as an alternative language to the original German.

The film received highly positive reviews upon its release. Roger Ebert of the Chicago Sun-Times gave the film four out of four stars.

Today, the film is seen as one of the greatest German films. The critical consensus states "Taut, breathtakingly thrilling, and devastatingly intelligent, Das Boot is one of the greatest war films ever made.

Over , people visited the exhibition during its four-month run. The characteristic lead melody of the soundtrack, composed and produced by Klaus Doldinger , took on a life of its own after German rave group U96 created a remixed "techno version" in The title theme " Das Boot " [34] later became an international hit.

The official soundtrack [35] features only compositions by Doldinger, except for " J'attendrai " sung by Rina Ketty. The soundtrack "Filmmusik" released following the release of The Director's Cut version omits "J'attendrai".

A sequel of the same name , in the form of a television series, was released in , with different actors.

It was set 9 months after the end of the original film, and is split into two narratives, one based on land, the other set around another U-boat and its crew.

Like the original film, the series is based on Lothar-Günther Buchheim 's book Das Boot , but with additions from Buchheim's follow up sequel Die Festung.

Das Boot. This article is about the Wolfgang Petersen film. For other uses, see Das Boot disambiguation. This article needs additional citations for verification.

Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Original German theatrical poster. Retrieved March 27, Read My Lips". The New York Times. Archived from the original on 5 August Retrieved 5 August The Guardian.

The Local. The Cinema of George Lucas. New York : Harry N. Abrams Inc, Publishers. Retrieved 15 February Retrieved 13 August Welcoming the Undesirables.

Brazil and the Jewish Question. Berkeley: University of California Press. Archived from the original on 18 February Archived from the original on 26 March Official Sites.

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Strange events happen in a small village in the north of Germany during the years before World War I, which seem to be ritual punishment.

Who is responsible? Director: Michael Haneke. Writers: Michael Haneke , Michael Haneke story. Available on Amazon. Added to Watchlist. From metacritic.

June's Most Anticipated Streaming Titles. The most inspiring movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 2 Oscars. Edit Cast Cast overview, first billed only: Christian Friedel The School Teacher Ernst Jacobi Eva Ulrich Tukur The Baron Ursina Lardi The Baroness Fion Mutert Sigi Michael Kranz The Pastor's Wife Maria Dragus Martin Levin Henning Challenging accusations of Haneke's cinematic approach being cold and cynical, Keuschnigg instead hailed the director as uncompromising and sincerely humanistic.

Zander also applauded the "perfectly cast children", whom he held as "the real stars of this film". Polluted souls stand out against poised compositions and tidy details".

However, critics such as Claudia Puig of USA Today praised the film's cinematography and performances while criticizing its "glacial pace" and "lack [of] the satisfaction of a resolution or catharsis.

Scott accused it of "mystifying the historical phenomenon it purports to investigate. Which is also to say: no one.

At the Cannes Film Festival in , the film received the jury's highest prize, the Palme d'Or , and the international film critics' prize, plus a special mention from the Ecumenical Jury.

Its submission as an entry of Germany rather than Austria was the source of some controversy, [36] since the Academy would have accepted it as a submission from either country.

Martin Schweighofer, head of the Austrian Film Commission , expressed misgivings about the decision: "The discomfort arises because of the vague rules of the Academy.

In essential functions the film is Austrian. From Wikipedia, the free encyclopedia. For the item, see White ribbon.

Theatrical release poster. Wega Film X Filme. British Board of Film Classification. Retrieved 4 September British Film Institute.

Retrieved 11 November The New York Times. Retrieved 23 November Retrieved 24 May Emaneul Levy Cinema. Retrieved 20 August Retrieved 25 May Der Standard.

Archived from the original on 2 April Austrian Film Institute. Retrieved 11 December Deutsches Filminstitut Retrieved 11 December Archived from the original on 28 January Retrieved 19 January American Cinematographer January : 18— Retrieved 23 January Der Spiegel.

Retrieved 31 January Cannes Film Festival. Retrieved 9 May

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